Cool Kitchen Garden Containerscomments (7) May 26th, 2009
Sometimes it’s best not to ask why. I kept reminding myself of this as I toured the eighth annual Festival des Jardins, the garden festival held at the Château de Chaumont in France’s Loire Valley. The theme of the festival varies year to year, and last year’s theme was kitchen gardening. “Rien que des Potagers” (Nothing but Vegetable Gardens) featured 30 individual garden plots, each designed by a different gardener, selected from about 300 contestants who entered an international competition.
|The Château de Chaumont.|
I had no idea what to expect. I thought perhaps I’d uncover some kitchen garden techniques little known in North America. What I found instead was 90 percent fantasy and maybe 10 percent practicality. Garden after garden pushed the limits of what a food garden can be. There was a whimsical and brightly colored children’s garden, a Scottish garden laid out in a tartan plaid, a garden of stone slabs misted by jets of steam, a water garden inside a plastic tent supported by bamboo poles, even a Zen garden with no vegetables at all. I looked and looked for pragmatic lessons, and then I stopped looking and simply gave in to the dreamlike spirit of the place.
|Olive oil drums are twisted up to form plant supports.|
I was particularly taken with the many ways the notion of container gardening was interpreted, sometimes literally, with bins or beds or enclosures one could properly call containers, sometimes conceptually, with designs that provoked curiosity as much as they coaxed vegetables to grow. On the next few pages, I’d like to show you some of my favorites.
Barrels with a twist
In “Gaspatio Andaluz,” a festival garden inspired by the colors of Spain, the featured containers were olive oil drums with the tops of their metal sides cut into a ribbon and twisted up to form a support for tomatoes and squash. Most of the drums sat in a shallow reflecting pool beside a long, south-facing, whitewashed wall, the better to reflect light. The north face of the wall was painted an intense blue.
Raised metal boxes
|Square-foot gardening in raised metal boxes makes it easy to separate plantings. See the detail photos below.|
Moveable glass above tender seedlings (left) and mesh screening over cutting lettuce (above) are attached to the planters.
Even the otherwise ordinary terra-cotta pots had been given a fresh look by being set in a suspended triangle of wire mesh, thus serving as shade for plants growing in the bed below. Hanging from the fence at the back were mesh bags filled with soil and serving as planting containers. The glass bottle stockade in front is supposed to deter snails. According to the sign at the garden, “a snail feast is made with snails captured on the spot which are fed on thyme.”
|You can grow things in nearly anything if you set your mind to it.|
|Each raft is planted with the ingredients of a well-known soup.|
In a garden inspired by the story of the three pigs were three diminutive garden cabins made of strawlike reeds, wood, and sheet metal, which isn’t quite right, but you get the idea. The metal house featured cabbages planted in black plastic buckets, each with its own watering can. The cans, in turn, were supplied by a single hose.
|Cabbages grow in buckets, each with its own overhead hose-fed watering can.|
One of the most eye-catching sights at a festival full of eye-catching sights had to be the series of pumpkins suspended by an arching net. Each pumpkin vine had been trained up a metal pole, its lone fruit deposited on the net for safekeeping. The pumpkins, poised over a Lilliputian garden world (“hills of parsley, valleys of lettuces, rivers of origanum”), are meant to symbolize the daily course of the sun. By the time I arrived in September, a few of the live pumpkins had been replaced with stand-ins, but new vines were wending their way up the poles, and the point was made.
In a garden meant to show the possibilities of kitchen gardening even in the inner city, painted oil drums served as planters, set off by a rough, back ally fence and a graffitied floor of heavy steel plates, which, if nothing else, are a great way to warm the garden and keep down weeds.
At left, pumpkins on high. Above, oil-drum planters for an urban setting.
In a permanent conservatory garden beside the grounds of the festival proper are palletized crates serving as planters, and raised beds formed by a wattle woven from saplings and iron bands. An elegant and timeless look, even with the iron withes, and a fine counterpoint to a festival that never failed to push the envelope.
Palletized crates (left) and woven raised beds (above).
|Do you have creative containers?
Post a comment below, or share photos of them in the gallery.
by Marc Vassallo
from issue #28
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posted in: containers